Wajdi Riahi
Prodigious pianist affirms rising status with rich second album
Wajdi Riahi (piano) | Basile Rahola (double bass) | Pierre Hurty (drums)
Tunisian born, Brussels based pianist Wajdi Riahi is one of the new exciting names within the Belgian jazz scene. Apart from being active as a side man in several projects (such as Stéphane Gallands' Rhythm Hunters, Aleph Quintet, Fabrice Allemand, ...) the prodigious pianist is making great name with his own trio.
He brings music that testifies to his Arab roots, mixed with his later love of jazz and the vibrant atmosphere of Brussels. He takes us on a journey through a subtle, mixed repertoire, a testament to his musical and human maturity. On December 1st 2023, the Wajdi Riahi Trio release their second album Essia.
The record is a delicate weave of light, supple yet dense textures: craftsmanship that is both soft and robust. Wajdi reveals his lyricism throughout the songs, each of which stands alone but, like a collection of short stories, ultimately form a coherent whole.
Whereas the first album Mhamdeya was steeped in nostalgia, this second opus tells of a journey between the pianist's two horizons: Tunis and Brussels. Stambeli and Gnawa music are an integral part of the album. The organic architecture of these (North) African rhythms blends with the complexity of jazz.
Virtuosic yet poetic, the trio touches the ground and the sky. Hurty's drums stand out for their precision and dynamics, navigating the music with determination and serenity. Rahola's double bass brings a reassuring sound reminiscent of Charlie Heiden, surprising us with soaring moments in his chosen silences.
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Cantering North African rhythms coursed through "Hymn to Stambeli," the trio's tempo waxing and waning alluringly, melody and rhythm tussling playfully before building to a powerful finale. Another half an hour and some would not have gone amiss. A trio to watch out for.
All About Jazz (USA)
Overall, it’s a beautiful album that takes the modern jazz piano trio in an exciting new direction. And given that they only started in 2020 and have already recorded two exceptional albums, they’re a trio worth watching as well as listening to.
London Jazz News (UK)
"Sept compositions de Wajdi Riahi, une double reprise, très réussie, du « Blue Moon » de Henry Mancini, 64 minutes d’excellente musique."
Le Soir (BE)
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